mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in. originally released in 1997 on the global communications sub-label heard, the voyage has long been a record steeped in cult mystery. one of those slabs of wax that almost define category - is it techno? is it deep house? does it matter? when music is this engrossing, emotive and majestic categorisation seems almost futile. rolling, trance inducing, jacking in all the right places, the voyage and it s b-side companion ( subsonic interference ) still sound incredibly fresh today. timeless productions that still manage to take us somewhere else when they pour out of the speaker. paul hester s music has always had that ultra-deep edge to it, and this particular ep explores it in spades. hands down, this record is a must for all lovers of the subterranean soundscapes that occupy the numerous late nights and early mornings, the still going dance-floors and that feeling of totally losing yourself in the music (for real). a very rare 12- indeed, the voyage has always been a highly sought after thing of beauty for a long time and now it s here again, legitimately re-released with the full involvement of paul hester / heard records for 2017 and remastered from the original sources specially for mint condition by optimum mastering. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

fourth floor was a major us player in supporting the london garage scene in the late nineties. responsible for very early releases from todd terry (known as masters at work at the time) the imprint also released seminal classics from fallout, the morning after and arnold jarvis, take some time out both of which made the cut for this double 12inch release. included on this 8-track package are some contemporary edits from luke solomon of rhythm faktor dream on (organ grinder mix) and love root funky emotions (another mix), plus outstanding records from royal orchestra, m.o.d.e., bamboo and the break boys. 4 to the floor presents fourth floor records is part of the 4 to the floor series. lovingly selected and compiled by luke solomon, the 4 to the floor series also delves into the movin records, sub-urban, faya combo, soulfuric and slip n slide catalogues, digging for those lightbulb moments of musical discovery. fulfilling his role as your friendly record shop assistant, lukes 4 to the floor series comes correct with brand new vinyl lp collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.

the king blues are thrilled to announce their brand new album “the gospel truth” will be released by cooking vinyl. the white 180 gram vinyl includes a download code.
recorded in london in 2016 and produced by mike moore, the record is an infectious mix of ska punk and social commentary.
enigmatic frontman itch says: “i’m so excited to be releasing our first full length album since 2012. it’s been a real collaborative effort with the fans sending in voice notes of their journey of the past year mixed in with my own experiences. this is the most vulnerable and honest we’ve ever been and i’m really proud of it”.

we were very happy to be asked by connaisseur recordings if they could put out another album with our music! now it s all come together and they ve asked us to do our own press release for it and quite like the album, we want to do it in our own way, personal and from the heart. it s been a few years since our last connaisseur album, and a lot has happened since. we ve built a new studio, matured musically, acquired new gear, sold old gear, done a lot of gigs, lost faith in music and regained it again. the process of making the loneliest man in space (this album) was a genuinely pleasant experience, as we never really set out to make an album at all. we didn t conceptualize or have any grandiose plans, we simply enjoyed ourselves in the studio. inspiration was running high, so we focused on making a lot of music uninterrupted, rather than signing tracks, which left us with quite a bulk of unsigned material. the idea to release these tracks as an album came from our friend alex, at connaisseur. we instantly jumped on the idea, listened through the material, taking some tracks out and composing a few new ones, to make it sit more together as a whole. we tried to come up with a title that would ft the feeling of the sum of tracks and settled on the loneliest man in space. as the album, to our ears, sounds a little melancholic and a little spacey. we sincerely hope that you enjoy the album either as a listening experience, a dance experience or something in between!

es gab kaum orte, die in der northern soul-szene der 1950 /1960 er jahre detroit ernsthafte konkurrenz machen konnten, philadelphia kam dem aber sehr nah mit amerikas damaligem nr.1 independent-label cameo-parkway. die outta sight-vinylkollektion -here comes the night owl- präsentiert 16 klassiker des legendären labels, von chubby checker über christine cooper bis bunny sigler.

(2017 repress) holy grail jazz release: originally out on sun ra s saturn imprint. bought back into the limelight through artyard s limited edition a few years back, now repressed again! comes with printed inner sleeve. big tip!

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) he’s also been collaborating with dandy jack (as sieg Über die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

erste lp-remaster-veröffentlichung des jazz-funk-albumklassikers -turn this mutha out- (1977) des drummers und percussionisten idris muhammad, der beispielsweise mit fats domino, curtis mayfield, jerry butler und sam cooke arbeitete. produziert von david matthews, kommt das album in dessen unverwechselbarem disco-jazz-funk-sound und enthält den classic -could heaven ever be like this-, den u.a. jamiroquai und drake sampleten.

the american boogie down finally makes it on vinyl! to celebrate the 10 years anniversary of the groundbreaking compilation by jerome derradji & rob sevier (numero), past due records, the reissue division of still music is finally releasing this incredible selection or rare and lost boogie funk and disco from the midwest and beyond on wax. the dlp includes an exclusive poster with liner notes by rob sevier and artwork by al kent

the practice of pseudoscience, a three track ep by m parent, is the second vinyl release from the us based label chem club records. having been inspired by peripheral thoughts about pseudosciences, this ep is washed in steady emotional build ups using airy reverb, scattering percussion, throbbing stabs and solid kicks. the title track (a1) uses these elements to move towards a piercing synth peak while cycle of intellect (a2) spaces out these features as it creeps to a dubby impactful end. the b side temazcal rites was directly motivated by a scorching summer day when the intensity of the sun sparked an idea for a sizzling percussive experiment. what were left with is a funky but emotive soundscape that tops off the ep in a unique fashion.

its been nearly a year since he featured on robsoul, under his v.i.c.a.r.i. alias, but sheffield house don tommy vicari jnr returns to the label with another beautifully creative ep. opener ‘breff’ is a coming together of polar opposites. whilst harps glide across the prodigious pulse of its acidic bassline, open hats shimmy and snares strike. somehow, all together, it works to perfection. the quaking bass, grinding stab and ‘get dahn’ vocal serve to create a stripped back tool across the opening bars of our a2. however when the beats drop its secret is revealed within its killer groove. as the lights come on tommy rolls out one final jam in glittery disco cut ‘in the night’. a last seductive slice from the northern powerhouse and one that leaves us hotly anticipating his robsoul return.

his latest release opens with title track ‘the ground’, an epic house cut with spaced out synths and electronics colouring the smooth rolling drums. filled with main room drama, it is a standout cut for sure. remixer darren price is best known as being the tour dj turned key member of legendary dance duo underworld. he uses all his knowledge of time on the road and in the studio with that outfit to serve up an old school mix that retains the original’s sense of melodic colour and proggy intentions whilst layering in some loose limbed and driving house drums that really take it up a level.

the 3rd release in the quartin catalogue re-issues series (following the aforementioned albums by jose mauro and victor assis brasil) is piris vocês querem mate, a highly sought after jewel of twisted psychedelic mpb. still to come from far outs reissuing of the catalogue are victor assis brasils esperanto, and another jose mauro release a viagem des horas.

italian label spazio disponibile continues its fine run of form with a new ep that features four collaborative tracks by the bosses voices from the lake (aka donato dozzy and neel) versus semantica boss svreca. the ep is a result of their first studio session all together in rome. all three have been perfecting cinematic ambient techno for years now and have the cerebral, atmospheric aesthetic down to a tee. here they offer up proof across a series of hypnotic tracks that take you deep into your own mind. it s alien and abstract yet wholly consuming and will zone you out in no time.

anthiliawaters has set out to explore the cold and almost isolated unknown with their stunningly lush detroit-influenced album. warm, jazzy synth pads supplying a melodic counterpart to the softly crunching, electro-tinged beats. a solid home listening fare for the living room that draws parallels to the beautiful and mysterious world of drexciya and almost continues the journey of the highly popular the other people place -lifestyles of the laptop cafe-.

the digital afterlife is a live workout recorded in amsterdam, early 2016. the b side features a couple of prime gherkins straight out the hieroglyphic pickle jar...tip! . a1. the digital afterlife was performed live during a 2hr hieroglyphic being ambient show at amsterdam s occii in january, 2016. the moment was beautiful, the recording was strong. b1. a tribute to the beautiful northen french town of arrass b2. you aren t up on akashic energies ?

due to confusion, martianman 004 will follow martianman 002. martianman 003 will be released after martianman 004. exile dub is an amen monster. the mind is a soul pride tune, spaced out and deep. support from rumbleton, double o, mantra.

mit seinem neuen album »x« bricht ed sheeran alle rekorde: allein in der britischen heimat verbrachte das zweite studioalbum des sängers acht wochen in folge auf platz 1 der charts und hat dort bereits doppel-platin erreicht. damit ist »x« nicht nur das bislang erfolgreichste album des jahres in uk sondern auch das am längsten auf # 1 platzierte album in den uk-charts seit adeles »21«. »x« verkaufte sich weltweit bislang über 2 millionen mal, und auch bei uns steht das album bereits kurz vor platin-status . nach den hit-singles »sing« und »don’t« folgt nun der neue outtake »thinking out loud«, eine leidenschaftliche ballade über das gemeinsame altern mit der liebe seines lebens.

reissue

into the light brings out a splendid assemblage of 17 tracks of mostly previously unheard material by athens based composer akis daoutis (akis) most of them recorded in his hometown and in usa where he was studying in the mid-eighties.

ant plates vinyl only ventures continue unabated, taking a break from the yse saint laur ant releases and turning to minus the majors instead. whether its just plate in another one of his guises or not is unclear, but the music certainly fits in with the more exploratory, downtempo nature of previous vinyl only releases. he looked is an especially funky number that revolves around crafty beats and warm moog-esque synth ripples. things get more broken on jizz jazz, and then drongo manages to go even further out to sea in its quest for the perfect balance between funk and freakiness.

live from concrete island is the debut album from brighton based producer stephen maskell, aka the nags head. taking material from the last four years, he s created a head-spinning tapestry of melodic techno and crushed cityscapes. like echospace, maskells destroyed visions nail the feeling of being a stranger in a strange land. for the city s lolloping, dubby percussion we reach deep into its guts, pulling out a squiggly bricolage of pistons, pool balls, window frames, jets of steam. in turns rasping and narcotic, concrete island s beatless sections are akin to the crunching menace of early clark, or murcofs cosmic space treatments. an occasional shimmer guitar pop gem emerges from the rubble.

newly launced samo records is setting out to explore the depths of the dancefloor by celebrating the darker, moodier facets of electronic music.

the rat pack – wer kennt sie nicht? diese rasselbande hollywoods, vor denen ab den 50ern weder whiskey noch weiber sicher war? frank sinatra, dean martin, sammy davis jr. waren die hauptakteure des rat packs. sie spielten in filmen zusammen – und sie sangen hits wie what kind of fool i am, i get a kick out of you, i’ve got you under my skin, memories are made of this, love and marriage und viele mehr. die größten hits des rat packs jetzt auf vinyl!

vinyl only label based in berlin - london - hamburg. spreading the good stuff with unique hip hop & funk infused edits

foreboding title, foreboding sounds. berlins redoubtable oliver deutschmann joins the hotflush roster with in the moment of death we have no regret. 3 club ready weapons, one blissed-out ambient cut. do we really need to describe them in flowery prose? no. just listen and play. loud.

one day back in end of the eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘mind merge lp’ is a beautiful quintessence of detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

welcome to season five of the jazz jousters sessions. after four years of non stop album releases we thought we d take a few months time out to think and work out what we would do next this season. we decided to attempt another locations series since we are yet to take on some of the locations many of you have suggested via our updates pages and emails. so here we go...
mjm would like to present locations: usa, the vinyl and cassette edition as we continue to explore the sounds, influences and styles of jazz music in different regions of the world.
in this session we hear the result of each jouster as they each chose one or more jazz musicians from the united states and began to work with that sound and come up with an instrumental in their own style, just like in season four. however there was a twist, this time they were challenged to focus on jazz between the years of 1960 to 1969. see what you think of the outcome...

an incredible, funked-out live show and production team with their own modern take on boogie, philly soul, and ny disco. xlr8r the possé are a new face to many people. the five piece run by andrew elston and ross ferraro is comprised of veterans from all over australia’s music scene. after a year of knuckling down in the studio and a string of sold out shows they’ve boiled down their favourite influences into an in-credible, raw, funked out live show and production team. watch out for the posse’s debut ep, our thing, featuring contributions from andrew elston (phy-sique/toni toni lee/catcall), ross ferraro & jarrol renaud (the goods), michael di francesco (touch sensitive/van she) and nz jazz keys prodigy andrew bruce.

taking charge of the first release is lucy, who has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. whether he is acting in the role of producer, dj, performer, or stroboscopic artefacts curator, lucys clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in. ep opener the hermit is eight minutes of spacious and cerebral techno. rolling drums are buried deep as little flecks of sound design peel off the groove. occasional bell hits bring a sombre and languid feel despite the drive of the drums, and it is the sort of perfectly absorbing track that will suck you down a 5am rabbit hole. on the flip, ‘the high priestess’ is a similarly mental work out that is empty and eerie, with distant drones and yawning pads outlining a vast underground space. the drums here are again rubbery and rolling, but a little more prominent, and the whole thing manages to be both soothing and unsettling. after this fine ep starts the label in style, a remix ep from blawan will follow.

balancing the classical with the spiritual, the cinematic with the introspective, and sensitivity with a distintly brazilian groove, notes over poetry,a new album for far out recordings, calls upon the inspiration of the many musical and artistic greats philippe has been surrounded by throughout his life.
presing on 180 gram vinyl.

it’s hard to get a handle on nigerian musicians nash dodoo, charlie cuul and jonas caulley. in 1980 they released an album of face-melting gospel boogie as the bml chapels. and in the same year, calling themselves the beta yama group, they put out free love, a belated love letter to san francisco’s summer of love and an album altogether focused on more worldly concerns. free love is a small slice of haight-ashbury transported to the polygram studios in lagos. ‘te revoir’ is mamas and papas jamming with sergeant pepper’s beatles. ‘free love’ offers a respectful nod towards je t’aime-era serge gainsbourg. sure, ‘revolution’ gets hard and funky and ‘rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. insanely rare – and worth buying for the freaky cover art alone – free love is a funky, reverb heavy call for love, peace and sweet, sweet loving. what more could you want from an album?
(peter moore)

this is the fourth ep the paris legends dan ghenacia and chris carrier have made together over the last year, and it’s just as fresh as their previous efforts with plenty of bounce, depth and funk. first up on the a-side is ‘the blue grass’, a deeply sensual cut with a potent low end. therein lies the groove, which is utterly captivating – made to get you writhing with glee, this one is aimed straight at the hips. alongside that sleazy bassline we have jazzy notes, swinging percussion and otherworldly bleeps and chirps. all of which makes it a great intro to this sterling ep. on the flip side, we have ‘blue stick’, another ridiculously groovy riddim with warped voices floating above a set of crispy beats and a raw undercurrent of emotion. minimal in composition, and the effect is deadly. lastly, to close out the three-tracker, it’s ‘kind of blues’ (can you spot the theme here?!). when it starts off, this one is a stomper with a moody expression. the beats are hefty, the bass morose and the analogue effects strangely cosmic. more twisted vocals are filtered in the background, giving this one its weird hook. the vocal reveals itself in the breakdown midway through before the track bounds on to its finale. dan ghenacia and chris carrier deliver three firebombs, perfect dance floor material with tight grooves and killer production. would you expect anything less?! go get em…

180g vinyl lp (obi strip), vinyl only
following the recent reissue of jose mauros obnoxius, far out recordings presents the second release in the treasure trove of the quartin catalogue, victor assis brasil plays jobim.

karizma and marcel vogel team up to worship the lord savior deapool himself. three gospel inspired housetracks, that bring spirituality back to where it belongs, the dancefloor.

repress 2017 , 1 per customer / 1 per kunde
the new collaborative endeavor between mliu regular brawther and tristan da cunha of back to basics fame, dungeon meat live up to the brash nature of >the fuck off track< with heavy hitting percussion driven house at its finest. look out for a label of the same name from dungeon meat later this year. face down ukrainian producer se62 returns for mliu duty for a third time with the hook heavy deep house burn of true force

ltd to 500 copies with artwork
while unveiling the * mutant tournament* quartet last year, label boss nachtbraker was quietly hunting for new music behind the scenes. being the fine huntsman he is, he came out of the woods with sonic bits and bobs so delectable he had no choice but to spread them out over two brand new quartets. thats right, eight records in total, to be released over the course of the next 18 months. were delighted to introduce you to scott franka, whos at the helm of the first missive. this creative head from amsterdam has been making music since the tender age of 11, but it wasnt until he adopted his scott franka moniker that he really found his groove.

!! 2017 repress !! dodgy white label number 1 from your favourite grumpy old shit sticks is a couple of low rent, don’t do much ass shakers from the vaults.
give me the was made in 2007 & let’s dj’s get on with what they love doing ….. mixing the hell out repetitive records.
our man though may, or may not, be heavily sliced out of something else & rearranged into dancer paradise from the shards left over.

slacker aka sam black’s works have been simmering away online for a while now, creating a fair bit of buzz centred around his knack for choppy breaks, crunchy acid and rough production edges. amen to the lonely finally sees the young bristol producer step out of the simulation and present four raw heaters from the hd.

new label funky fungi preps its debut release for this march, featuring two original tracks from label boss georg stuby and his production trio the gravy underground. hailing from zurich switzerland, georg stuby is a longstanding house and techno dj, producer and teacher. his new creation, funky fungi is a vinyl based record label working as an outlet for georg and his friends to release their music. aside from the solo release, this ep also features the gravy underground, a collaborative project with georg’s friends christopher lawrenz & jonas, who already remixed one of georg’s tracks on his last formresonance ep. the opening track ‘metro bass’ has a dusty analog feel and delves into the depths with shuffling percussion and reverberated effects which spiral out of control, all saturated in white noise giving off the spatial aesthetic associated with an echo chamber. next up, the gravy underground production trio create a mystical journey in ‘keep it gravy’, as minimal kicks chug alongside off kilter hats and twisted vocal snippets that are delicately layered with field recordings.

within the music of galaxians - the duo of matt woodward and jed skinner formed in 2012 - lies a powerfully hedonistic strain that does much to loop a thread through the party lineage of their (adopted?) hometown of leeds. influenced by classic disco and house labels such as sleeping bag and chicago’s trax. from their raucous live shows at punk-associated diy spots to late night gigs with the likes of horse meat disco and auntie flo, this uk duo is making waves with a hedonistic strain of analog funk, disco, and house. includes the epic original and the more subdued siren remix. channeling new york’s late 80s “freak disco” (was not was, liquid liquid, arthur russell) and detroit’s acid house scenes, galaxians produce a maximum output from minimal set-up.
“fiercely danceable astral-gazing house-influenced duo tear up every show they play, regardless of who they’re billed with.” - nme

new year - new artist keeping it freaky and strictly sponky! irelands kalla makes his dabj debut with four killers that we have been sitting on for a criminally long time (sorry mate!). we are extremely happy to finally get these out on wax so everyone else can enjoy popping their woofers and tweeters as much as we have over the past 6 months! limited to 300 copies, hand stamped labels with love from glasgow. props to lindsay todd from firecracker for the sweet stamp designs!

a sagittariun continues to release primarily on his own elastic dreams label, and the magick box ep features four tracks that come nearly 12 months on from the uncompromising techno of the contortion/concrete walls single and the second full length album odyssey, elasticity. taking in pacey techno cuts curviture and kobalt, cruising electro vibes on floating on salt water’ and wigged out industrial funk on bleepanomix, once again the archer delivers a varied collection of new tracks on the ep. vital sales points: previous singles on secretsundaze, hypercolour and elastic dreams were very well received - a sagittariuns second album, elasticity, was released in april 2016 to glowing reviews and polled in the mojo magazine top 5 electronic albums of the year

limited edition hand stamped 12 vinyl - some say techno s 4/4 owes its powerful majesty to our human heartbeat and its constant, uninterrupted pulse. - some say the most magnificent and memorable dark skies on earth can be seen in sweden, known as the northern lights: they may vary its shape, colour and intensity through time, but its presence in our imaginary stays untouched and seems always ready to captivate us again.as true techno lovers, our vinyl only constellation welcomes swedish legendary artist samuel l. session: in rc we ve always referred to samuel s figure as the aurora borealis of techno: timeless, always evolving and majestic. in the dark plays 3 engaging, pushing and beat leading tracks: our most reliable 4/4 beat reference for those who enjoy getting lost dancing in the dark but don t want to lose the north.

stuk is dedicated to the victims of 13.11.15. as the devastating and abhorrent news of the paris attacks was breaking i took to the stage to perform with a sinking and heavy heart.- - simon scott, 21.01.16. recorded live at stuk kunstencentrum, leuven, belgium on 13th november 2015. room recording made on an edirol r-09hr. written and performed live by simon scott. simon scott is a sound ecologist and multi-instrumentalist from cambridge, england. his albums -insomni- (ash international) and -below sea level- (kesh/touchline) are out now. his work explores the creative process of actively listening, the implications of recording the natural world using technology and the manipulation of natural sounds used for musical composition. he plays the drums in slowdive and has recently collaborated with artists james blackshaw, spire, taylor deupree (between), isan + many more

this rare piece of ex-yu socialist electronica was considered lost. composed by famed croatian artist tomislav simovic for the 1981 sci-fi extravaganza visitors from the galaxy which included men with breasts, beautiful alien heroine and jan svankmajer monster on killing spree, it is now found and published by fox & his friends label team. this gatefold limited lp release on 180g vinyl includes soundtrack cut from the original master tapes restored by paul alexander from cedar audio ltd., extensive liner notes in english by zeljko luketic and irena paulus, new artwork insert spread with film set photographs and colour poster starring alien heroine andra. fox & his friends is run by leri ahel (worldwide syndicated mutant disco radio show) and zeljko luketic (electronic jugoton, ex yu electronica iii, borderline music). we release music without genre boundaries, discover rare, obscure and forgotten stuff, the sounds that have timeless value, both contemporary and vintage

1994 - chicago producer rick lenoir has already released a slew of legendary records under many well known aliases and his house jam label has been in business since 87. the sanctuary project is the nom de plume utilised by rick for this particular killer disco infected 4 track ep from that period. the keen eared among you will no doubt recognise some of the sample sources used throughout these tracks, lenoir flips jazzy loops, chopped up vocals and lays it all out over some kicking drum programming, this is that style of sample based house that has the hardened dance heads and hip-hoppers unified, gritty, raw and brimming over with soul! the cuts featured on this ep will sit nicely with most contemporary sounds and shows how on the money rick was in the mid 90 s! the record has long been out of print and has been forever popular with the diggers out there, commanding a healthy price when available in the second hand stores and online. this reissue has been realised with the full involvement of rick lenoir / house jam records, chicago and is 100% legit! don t snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2017 - running it’!

seth troxlers taste-making play it say it label continues to set its own agenda with a fantastic new doublepack / mini-lp from frenchman the mekanism. featuring eight club focussed cuts, this compendium follows up the essential acid love ep released on this label back in 2015. parisian dj/producer and rinse fm france star damien roussel is well known to those with their ear to the underground house scene. he has been djing for more than a decade and puts out his choice cuts on labels like berlins exploited, londons needwant and leeds 2020 vision as well as on play it say it of course. looking back to chicago but also forward into his own sonic realms, he is a fresh producer with plenty to say for himself, and this expressive new release proves that.